The colours in animated nature are traced by the finger of God

The colours in animated nature are traced by the finger of God

The colours in animated nature are traced by the finger of God

If we ask the Christian philosopher, he will tell us that the colours in animated nature are traced by the finger of God, who always paints the coat or skin of an animal with that tint or hue, which shall tend most to the propagation and preservation of its species. That He clothes the hare and rabbit in a suit of humble brown, that they may be less easily seen by the eye of the sportsman, or their natural enemies, the polecat, weasel, white owl, or golden-headed eagle. That birds who flit about all summer in coats so gay and jackets so gaudy, that even a hawk may mistake them for bouquets of flowers, and think them not worth eating as soon as the breeding season is over, and the leaves and flowers fade and fall, are presented by nature with warmer but more homely suits of apparel, more akin in colour to the leafless hedgerows, or the brown of the rustling beech leaves, among which they seek shelter from the wintry blast. If you go farther you may fare worse.